Shaka-do & Myo-o-ji Temples 36 & 37 Shodoshima Pilgrimage

 

My final stop on day three of my walk along the Shodoshima Pilgrimage was a pair of temples sharing the same ground.

Number 36, Shaka-do, was part of another temple but was managed by Myooji temple in the Edo period and then moved here in the Meiji period I believe. The main hall is the only nationally registered Important Cultural Property on Shodoshima.

It is three bays wide and 4 deep and was built in the early 16th century. The honzon, a Shaka Nyorai, the "historical" Buddha is said to have been carved by the famous sculptor Unkei.

 Multiple sources say that Shaka-do is in some way the origin of the Shodoshima pilgrimage, but I can not find details.....

Next door is Myo-O-ji temple, established earlier than the Shaka-do, in the late 13th century and was rebuilt in the late 17th century.

The honzon is a Fudo Myo, said to be carved by Kobo Daishi, although some records suggest Gyoki may have brought it to the island earlier.

Photo 4 is of the Bishamondo attached to Myooji....

Unusually, the statue of Binzaru is inside a shelter and not on the verandah as is more common. It is also much darker than most Binzaru statues.

The previous post in the series was on the large Kameyama Shrine.

The Seven Lucky Gods at Anyoji Temple

 

A giant statue of Bishamonten sits atop the gate into Anyoji Temple near Kurashiki where Bishamonten is the honzon of the temple.

Bishamonten is also one of the Shichifukujin, or Seven Lucky Gods of Japan and so Anyoji has statues of all seven in the grounds as a popular attraction.

Bishamonten is one of three of the 7 Lucky Gods with origins in Hinduism. Benzaiten, photo 5 left, and Daikokuten, photo 4 right, being the other two.

Three of the others have their origins in Taoism, Jurojin and Fukurokuju, photo 3, and Hotei, photos 6, 7, and 8.

The only "native" god is Ebisu, photo 4 left.

The exact origin of this grouping of 7 is murky, though by the Edo period they were a very popular group and a visit to shrines for the Shichifukujin at new year is the origin of the Hatsumode tradition nowadays.

Anyoji was part of a major Shinto-Buddhist complex in ancient times, and there is a lot to see here. The previous post in the series was on the Ryujindo in front of the main entrance.

Meteor Plaza

Meteor Plaza

Meteor Plaza is located in the port of Shichirui on the Shimane Peninsuka. Now part ofMihonoseki which itself is now part of nMatsue City.

Its primary function is as a ferry terminal operating car ferries and high-speed ferries to the Oki Islands.

Meteor Plaza was designed by Shimane-born architect Shin Takamatsu and opened in 1995

As well as the ferry terminal the complex also houses a saltwater swimming pool and a museum and performance space, although I am unsure how often the pool opens nowadays.

The museum is devoted to the meteor that struck the earth a few kilometers away in 1992.

The cone of the structure represents the meteor's trajectory, and the weird curved shape is the shape of the meteor itself.

The meteor crashed  through a local house and embedded itself in the earth. The inhabitants, who were home at the time, didn't notice it until next morning as the night was very noisy with a thunderstorm

Inside the big space is a kind of auditorium that puts on a light show and a short movie about the meteor.

When we visited we were the only people there so it was kind of eerie.

The meteor itself is on display inside the cone structure. It weighs 6.8 kilos and is just over 25 cms long.

The architecture appeals to me and I have posted on many other Shin Takamatsu buildings, like his ferry terminal in Nagasaki, his public onsen in Tamatsukuri, a Buddhist Hall on a mountain, and of course, his Sand Museum in his hometown.

The curved interior of the performance space offered me plenty of opportunity for the kind of geometric abstract photos I am partial to...

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Ryujindo at Anyoji Temple

Anyoji Temple

Anyoji is a large, ancient temple complex in the mountains north of Kurashiki and south of Soja in Okayama.

In front of the temple is a large irrigation pond with a "floating" building that in many other places would be for Benzaiten.

Here it is a Ryujindo, or Dragon Hall enshrining a Ryuzu Kannon.

Ryuzu or Ryuto Kannon is known in English as the Dragon Head Kannon and is one of the traditional 33 forms of kannon in Japan and probably came from China. Ryzuzu Kannon is sometimes depicted riding a dragon, but never depicted with a dragon head, unlike the Horsehead Kannon,Bato Kannon, which is sometimes depicted wearing a horsehead hat,

Anyoji Temple was a big surprise to me and I took a lot of photos so will do several more posts on it ...

The previous post in this series on day 7 of my walk along the Chugoku Kannon Pilgrimage was on nearby Karube Shrine, famous for its breast ema.

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Mishima Shrine Kawakudari

 

Kawakudari is a small settlement on the Gonokawa River between Imbara and Kawamoto. I arrived here  towards the end of my 7th day walking the Iwami Kannon Pilgrimage, ready to catch the bus downriver to my home.

The village shrine was established in 1394 by the son of the first Iwami-Ogasawara Clan lord to enshrine Mishima Daimyojin. The main kami is Oyamazumi whose head shrine is on Omishima Island between Honshu and Shikoku, and I believe Mishima shrines derive from the main one in Shizuoka.

The tengai inside indicates that in earlier times kagura would have been performed here, but seems to not be in use nowadays. In the grounds is a small kasuga shrine and an Inari shrine, quite possibly moved here from nearby early in the twentieth century.

The previous post in the series was on Chokoji Temple, the 10th on the pilgrimage.

Karube Shrine the boobs shrine

Karube Shrine

Karube Shrine near Soja in Okayama is known locally as Oppai Jinja, with oppai being a Japanese slang word, used largely by children, to refer to female breasts.

Originally established on top of the mountain in the early 14th century, enshrining the three kami of the Kumano Sanzan, it was destroyed several times before being moved to its current site in 1678 after having a further two kami added, Amaterasu and Kunitokotachi.

For about 400 years, until 1940, there was a huge weeping cherry tree in the grounds that became known as a kami for ample breastmilk and safe childbirth and it was this tree that is the origin of the current tradition of offering votive plaques with representations of breasts on them, not any of the kami actually enshrined here.

It was not known at all outside the local area until being featured on a national TV program, but since then has drawn visitors from all over.

Many of the votive plaques are a standard design that can be bought online or from several local establishments, however some are hand-made and unique. The plaques can now also be found at several other shrines and temples.

Nowadays almost half the ema are prayers for relief from breast cancer, and most of the rest for ample breast milk and safe childbirth.

The rate of breast cancer in japan has doubled in the past 50 years.

Until the modern era womens breasts in Japan were not considered sexual or erotic, but a few of the plaques are asking for large breasts for "cosmetic" reasons....

The previous post in this series on day 7 of my walk along the Chugoku Kannon Pilgrimage was on the nearby Hofukuji Temple.

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