Hirata Honjin Gardens, Mansion, & Museums

 

The Hirata Honjin Museum is located on a hillside overlooking the old town of Hirata near the shore of Lake Shinji.

A honjin was a property used as a guesthouse by feudal lords when they traveled within their domain and this one was the residence of the wealthy Honkisa family who made their fortune locally with sake brewing and trading cotton.

The buildings and most importantly the garden were dismantled and moved here from their original site about 2 kilometers away.

It is an Izumo-style garden, karensansui, with the arrangement of stepping stones that marks it as uniquely Izumo.

It is sometimes referred to as Gentan-style after Sawa Gentan, a gardener brought to Izumo by The famous daimyo Matsudaira Fumai who had a hand in designing many of the gardens in the Izumo and Matsue area.

Unfortunately, the garden cannot be entered, however, it can be enjoyed from the main room of the house.

Some say that the garden can be best appreciated in the rain when the wet stones shine....

However, visitors are allowed to enter the gardens that lead from the main house to the Yuyuan Teahouse.

The Yuyuan is a Shoin-style teahouse of 4.5 tatami.

It is not open to visitors, but can be rented.

It was reproduced using the original Edo period plans.

As well as the gardens, the whole house is open to visitors.

On display are artworks and artifacts from the family, including some samurai armour.

The traditional bathroom and toilets are also open.

There are also two large, modern, galleries that show temporary exhibitions, and sometimes more works from the family collection of prints and paintings.

These sometimes  have an entry fee, though I must stress that everything else is free.

And yet there is more......

Some large storehouses have been converted into a Folk Crafts Museum....

In many ways this place is similar to the Izumo Cultural Heritage Museum which also offers gardens, traditional architecture, and exhibitions with no entry fee. If anything The Hirata Honjin has the edge in terms of displays and gardens.

In the entrance hall you will see a big example of a local artform, Isshiki Kazari. I have briefly touched on this before, in this post.

In the old section of Hirata you will be able to see many more examples of isshiki kazari and also visit a wealthy merchant home and gardens, that while not as spectacular as the Hirata Honjin, is well worth a visit.

For those into gardens, less than 2 kilometers from Hirata Honjin is Kokokuji, a zen temple with a small but excellent garden. It and the Hirata Hoinjin garden always appear in the top gardens list of the American magazine Journal of Japanese Gardening. The top garden in that magazine is always the Adachi Museum Garden, also in Shimane.

The previous posts in this series on Izumo and Matsue were on Izumo Cultural Heritage Museum and Gardens.

Dokurakuan Tea House & Sankan Sanro Roji Gardens

 

The Izumo Cultural Heritage Museum is a must-visit site for those interested in Japanese gardens.

As well as a fine example of an Izumo-style karesansui garden attached to a huge mansion, which I covered yesterday, it also has examples of roji, the small gardens associated with tea houses and the tea ceremony.

The Dokurakuan is a replica of a teahouse designed by Sen no Rikyu, probably the most famous of all tea masters.

It was originally built in Uji, near Kyoto, but passed through many owners until ending in the hands of Matsudaira Fumai, the daimyo of Matsue domain who was a famous tea master in his own right. 

He retired early and passed the domain on to his son so he could retire to his estate in Edo where he built a huge garden with many teahouses including the Dokurakuan.

A teahouse is usually approached through a type of garden called roji.

here at the Izumo Cultural Heritage Museum  the replica Dokurakuan is reached through three gardens called Sankan Sanro.

Called Outer, Middle, and Inner, the three gardens are quite distinct and separated by walls and gates.

It is said the Sankan Sanro was designed by Fumai himself.

The teahouse and gardens were recreated using old drawings and paintings of the original.

As well as the mansion with its Izumo-style garden, and the Dokurakuan and Sankan Sanro, there is yet another garden here. A modern teahouse where visitors can enjoy tea and sweets has its own garden, but I have no photos as I didn't visit.

The museum and gardens are free to visit, though there may be some entry fees to special temporary exhibitions that are in the big galleries.

The previous post was on the Izumo mansion and Garden. Not far away are a couple of other traditional properties with nice gardens, the Hirata Honjin, and the Yakumo Honjin.

Awa Ikeda Udatsu House & Museum of Tobacco

 

Awa Ikeda was in important transport and trading hub on the Yoshino River in what is now Miyoshi City in Tokushima on Shikoku.

This very large Edo period property belonged to a wealthy tobacco manufacturer and is open to the public.

In the entrance area is a nice display of puppets, as this area of Shikoku, Awa, is home to a long tradition of puppetry.

After sitting in the entrance for a while, trading tobaccos and smoking with the curator, he then took me on a guided tour of the house. It was a huge complex surrounding a nice courtyard  garden.

This first section of the property was formerly the residential area and each room was tastefully arranged with traditional, minimal, decorations...

Incidentally, udatsu are the external architectural features that are found protruding from the second floor of buildings and are meant to prevent the spread of fire from building to building. They are a common feature of a historic town a little further down the river in Mima.

At the rear of the property, which was where the workshops were, is the tobacco museum, spread over about ten rooms with a wide range of displays.

Tobacco was introduced into Japan in the late 16th century, probably by the Portuguese. The government unsuccessfully tried to ban it, but its use became widespread among men and women, and it became a lucrative cash crop throughout Japan.

Tobacco was smoked using a kiseru, a small pipe with a metal bowl and mouthpiece. Kiseru developed into an artform, some with intricate engraving. Another artform that came from tobacco was netsuke, the tiny ivory ornaments used in tobacco pouches.

The type of tobacco for kiseru was called kizami, a very finely chopped form. Kiseru and kizami began to disappear after the Meiji Restoration when cigarettes started to become available.

In 1898, to secure the considerable tax income, the Japanese government established a monopoly on the sale of tobacco leaf. In 1904 they expanded the monopoly to cover all aspects of tobacco production. In 1985 the government sold off Japan Tobacco, but retained a large percentage of shares, and JT has become one of the biggest tobacco companies in the world, buying u foreign companies like the Gallagher Group.

Even if you have no interest in Tobacco, it is a fascinating small museum to visit. The displays are all well made and though there is no English, the very friendly curator does his best to explain things. The traditional house is also worth a visit by itself. I find many museums in Japan to be overpriced and not so interesting, but there are plenty like this one that are excellent value for money but rarely visited.

I visited on the 4th day of my walk along the Shikoku Fudo Myoo pilgrimage. The previous post was Maruyama Shrine.