Fudoin Temple 6 Shikoku Fudo Myoo Pilgrimage

 

Friday, December 23rd, 2016, the start of day 5 of my walk along the Shikoku Fudo Myoo Pilgrimage.

The first 4 days I had walked up the Yoshino River in Tokushima along the north bank, and now I was heading back downriver along the south bank.

First stop was Temple 6 of the pilgrimage, Fudo-in, still within Miyoshi City, and pretty much directly opposite Temple number 4, Hashikura, on the mountain slope on the opposite bank.

In the grounds is a Fudo Myoo, a Mizuko Jizo, and a Kannon. The temple is also number 17 on the Awa Saigoku Kannon Pilgrimage.

It is a fairly modern temple, being established in 1897 and built in 1902. It is a Shingon temple and the honzon is a Fudo Myoo.

It is said to have been carved in the early 12th century by the monk Kakuban, who separated from Koyasan and founded the Negoroji Temple, where he is buried.

The statue and the temple name were transferred from a temple down below Koyasan in Wakayama. In early Meiji it was illegal to establish new temples so many temples were "transferred" from other places where they may have been abandoned or fallen into disuse.

I am not sure when it became legal to establish new temples, but I reem to remember quite a few temples Ive visited being set up by finding an abandoned one in another part of the country and transferring the name.

Inside the main hall.

The Fudo Myoo honzon said to be carved by Kakuban.

The previous post in this series was on the suspension bridge a little ways upstream.

Yamate Kannondo Temple 52 Sasaguri Pilgrimage

 

Day 2 of our walk along the magnificent Sasaguri Pilgrimage began where it had ended the day before, at Chikuzen-Yamate Station.

Temple 52 is easily noticed by the unusual tall structure. Included at the site is the Watatake Inari Daimyojin Shrine.

Next to it is the tall structure with a tall painting.

The painting is of  a fairly young Kobo Daishi and was the result of an old monk named Mori Jundo who sat by the roadside and begged for donations from passers-by around 1949-1952. 

Like all the other little "temples" on the pilgrimage there is a large, eclectic collection of small statuettes of a range of Buddhas and Kami.

The honzon is an Eleven-faced Kannon, although I believe the one now is a newer relacement of the original stone one which is also on display.

There are also quite a few statues of Fudo Myoo, in fact, as I have mentioned before, I have never encoubtered so many Fudo statues as here in Sasaguri...

The previous post was on the last two temples of day one, both very close to ths one.

Tanga Daigongen

 

After descending from Shichiga Pass I start to head down a narrow valley towards Yuasa and cannot fail to notice Tanga Daigongen.

Built on a steep slope, the site is a collection of colourful orange metal torii with numerous shrines behind them.

According to the legend, Emperor Shirakawa fell ill at this spot while on a pilgrimage to Kumano and a white-haried old man appeared and helped him, so Shirakawa enshrined him here as Tanga Gongen.

There are several Inari shrines here, and several shrines to Fudo Myo.

The main kami though appears to be Tanga Daigongen which I believe is a manifestation of Kono Zao Gongen, the head deity of Shugendo. Photo 10 is a statue of Kono Zao Gongen.

Photo 9 is of En no Gyoja, the legendary mystic who is said to be the founder of Shugendo and who here is named Shinben Daibosatsu.

Also enshrined here are a Koyasu Daishi, a Tatee Jizo, and an Eleven-Headed Kannon as well as several more kami.

I love these kind of places as they mix so many strands and layers of religious history across all the artificial barriers of sects and schools...

Very "folk" as opposed to so many of the bigger establishments that are overtly political and somewhat sterile.

This was day 7 of my walk on the Saigoku Kannon Pilgrimage, said to be the oldest "circuit" pilgrimage in Japan, and still following the Kumano Kodo Kiiji Route at this point.

The previous post was on the route up to the pass. Once I reached Yuasa I jumped ahead by train to Kimiidera Temple.

Cutting-ties Fudo Myo at Anyoji Temple

 

Akuenkiri Fudo Myoo is for cutting bad ties and relationships and is a statue at Anyoji Temple in the mountains between Kurashiki and Soja in Okayama.

The sword carried by Fudo, Kurikara, is generally considered to be used to sever one from the attachments that prevent enlightenment, but perhaps the most famous "cutting" Fudo is the wave-cutting Fudo that quelled the storm carrying Kobo Daishi to China.

As well as the Akuenkiri Fudo there are numerous other Fudo's around the temple including this one near tye entrance.

This very small and unusual one was inside a thatched Teahouse.....

Previously I have posted on the Dragon Hall and the Seven Lucky Gods at Anyoji. More to come.

Shaka-do & Myo-o-ji Temples 36 & 37 Shodoshima Pilgrimage

 

My final stop on day three of my walk along the Shodoshima Pilgrimage was a pair of temples sharing the same ground.

Number 36, Shaka-do, was part of another temple but was managed by Myooji temple in the Edo period and then moved here in the Meiji period I believe. The main hall is the only nationally registered Important Cultural Property on Shodoshima.

It is three bays wide and 4 deep and was built in the early 16th century. The honzon, a Shaka Nyorai, the "historical" Buddha is said to have been carved by the famous sculptor Unkei.

 Multiple sources say that Shaka-do is in some way the origin of the Shodoshima pilgrimage, but I can not find details.....

Next door is Myo-O-ji temple, established earlier than the Shaka-do, in the late 13th century and was rebuilt in the late 17th century.

The honzon is a Fudo Myo, said to be carved by Kobo Daishi, although some records suggest Gyoki may have brought it to the island earlier.

Photo 4 is of the Bishamondo attached to Myooji....

Unusually, the statue of Binzaru is inside a shelter and not on the verandah as is more common. It is also much darker than most Binzaru statues.

The previous post in the series was on the large Kameyama Shrine.