More komainu of Kunisaki

This wooden komainu was in the museum at Usa Jingu. It is a type of komainu that is no longer as common as the stone ones found at the entrances to shrines and temples. If a shrine has a Zuijinmon, an entrance gate with pairs of zuijin (guardian statues) there will often be a small wooden komainu with them.

The most common komainu now are the stone ones found along the entranceways. These are mostly from the Edo-period.

Here is an excellent paper on different komainu styles. The author discusses many of the different styles and their geographic ranges, as well as laments modern japans drive towards national homogenity which is seeing one, modern, national style of komnainu increasing.

For me, the diversity is what is fascinating.

All of these komainu were found on the Kunisaki Peninsular of Northern Kyushu.

The other place to see komainu is carved into the beams of shrines and temples.

Wakamiya Hachimangu

Known locally as Toki Shrine, the Wakamiya Hachimangu is located near Gojo a little south of Gion in the Higashiyama district of Kyoto.

This is the heart of the old pottery district, and in August the Kyoto Gojozaka Ceramic Festival is held at the shrine with stalls along the street in front.

The primary kami is Hachiman, now equated with the legendary Emperor Ojin, and also includes his mother Jingu and father Chuai. There are other secondary shrines including this one to Inari.

There is also a Touso Shrine, enshrining the famous Shikoku potter Toushiro. I think this is a twentieth Century addition.

This is the Rengeishi (Lotus stone) donated to the shrine by Ashikaga Takauji, the founder of the Ashikaga Bakufu in the 14th century.

The shrine was originally built some miles to the west in 1053 and was moved to its current location in 1605

Nagashibina Doll Museum

This is the draincover for Mochigase Town, now part of Tottori City.

It shows the Nagashibina Doll Museum which houses a collection of over 1,000 Hina dolls of the Edo period from all over Japan.

Mochigase Town is one of the few places in Japan that still practises the rituals at the heart of the Hina Matsuri.

There is a nice little garden and pond within the grounds

With the obligatory hungry koi!!!

The building itself is an unusual example of a large wooden building built in the traditional style.

Saijo Inari

The Niomon at Saijo Inari is most unusual. It is built of stone in the style of an Indian Palace.

The nio are quite remarkable, though taking photos of them is hindered by the wire grill protecting them.

Saijo Inari is often considered on of the top three Inari in Japan. It is located a little off the Kibi Bike Path, and well worth the detour.

Saijo Inari is officially a temple named Myokyo-Ji, and is sometimes known as Takamatsu Inari.

According to legend it was originally founded in the 8th Century as a Tendai temple. In the 16th Century it became a Nichiren temple, and in 1954 it became the head temple of its own separate sect known as Saijo Inarikyo.

According to the founding legend the founder of the temple, a monk known as Hoon Daishi, had a vision involving a deity riding a flying white fox, though it is quite possible that this is a Meiji-era invention created after the separation of the buddhas and kami.

Also worshipped here along with Inari is the Lotus Sutra, and behind the main hall of the temple the cliff has been sculpted supposedly into a sculpture based on the Lotus Sutra.

Ebisu Shrine, Gion

Ebisu Shrine in Gion is just across the road from Kennin-Ji, the oldest Zen temple in Kyoto.

Both were built in 1202 and the Ebisu shrine was built to protect Kennin-Ji.

The main kami is of course Kotoshironushi, the official name of Ebisu.

There are numerous secondary kami enshrined within the grounds, including Hachiman and Sarutahiko.

Gion Ebisu is included in the "top 3 Ebisu shrines", and the major Toka Ebisu Matsuri takes place here in early January.

Around Gion

The Gion district of Kyoto is one of the most familiar places to visitors to Japan, and whiles I try to concentrate on posts that are more unfamiliar, because Yoko is from Gion we visit there fairly often to visit family, so sometimes I will post on Familiar Japan.

This little girl was being photographed by her parents last August. Probably not dressed up for Shichigosan as that is not until November.

The chances are she is a student of Nihon Buyo, traditional dance, and has just finished taking part in the annual recital.

NEC Building, Momochi

The 11 storey NEC building in the Momochi district of Fukuoka is not a particularly outstanding piece of architecture, but its use of some subtle curves and its cantilever porch gives it a little style.

Like so many other buildings in this area of reclaimed land in Fukuoka it was built in 1996.

It was designed by Nikken Sekkei, and while they are not a particularly famous architectural company, they have done a lot of interesting buildings. Clicking on their name in the tags below this post will show you some of them.

Komainu of Kunisaki

Like shrines and temples everywhere, on Kunisaki Peninsular there are plenty of the guardian Komainu. This one with a flat head is supporting a lantern.

This is a variation on a modern style. Some komainu, like here, have a baby under its paw.

Often seen with elephants and dragons, the ends of beams are carved as komainu

This one is sitting on top of a turtle.... something Ive never seen before.

There are dozens of different styles of komainu, and part of the fascination with visiting shrines for me is to discover new variations.

All of these were found on the Kunisaki peninsular in northern Kyushu.

Haruta Shrine, Asuka

Haruta Shrine is located on the east side of Asuka, right next to Okadera Temple. The two were a temple-shrine complex until the seperation of buddhas and kami in early Meiji.

The three primary kami enshrined here are Onamuchi, another name for Okuninushi, Susano, and Homuda Wake, another name for Emperor Ojin.

The shrine is listed in the Engi Shiki, so is more than 1,000 years old.

The honden has an unusual design with a T-shaped roof topped by 3 chigi. The torii in front of the honden I would guess to be a post-meiji addition as this style was adopted by State Shinto.

A statue of Kinjiro, the common name for Ninomiya Sontoku. Similar statues are common in front of schools. Kinjiro is famous for becoming successful through self-study.

Momiji gari

Went to a charity kagura event today and saw a dance I had never seen before, Momiji-gari.

The dance opens with three maidens dressed in gorgeous kimonos carrying sprigs of maple.

The dance is based on a Noh drama which itself was based on an older story set among the autumn leaves in what is now Nagano.

The group dancing was from northern Hiroshima, and one feature of Hiroshima kagura is that "human" dancers do not wear masks, rather make-up.

The dance was graceful and at times frenetic, and the blur of golds, yellows, and reds against the backdrop of autumn leaves was quite spectacular.

Next up we are introduced to Taira Koremochi, the great Heike warrior, who along with an aide has come to Nagano to destroy a demon that has been harassing the local people.

The heroes accept the invitation of the maidens to join their party and are repeatedly given sake until they fall into a drunken stupor.

Now the maidens reveal their true identity as the demons the heroes have come to slay and begin a dance in celebration of the inevitable doom of the heroes.

The transformation from maiden to demon is truly instantaneous.... one second the women are spinning around and in the next they have on the demon masks....... I certainly did not see it happen, and the audience erupts with applause at the slickness of the transformation....

As you can see in the photo, the masks are not held to the head by strings but are gripped between the teeth

to be continued