Monday, April 7, 2025
Oda Omoto Kagura a vestige of shamanism in Japan
Tuesday, March 11, 2025
Oki Islands Kagura
Saturday, March 23, 2019
Uzume Mask
Uzume Mask
It has been a very long time since I finished any masks, but the last few weeks I have been hard at it. Most of my older blog posts that featured my masks no longer have photos as they were stored on a site I no longer use, so overthe next weeks I will be posting photos of my new masks.
This one is one of the smallest and is the kami Uzume, the female whose dance in front of the cave was instrumental in luring Amaterasu out. The dance is credited with being the mythological origin of kagura.
Wednesday, April 1, 2015
Sada Shrine
Sada Shrine is also home to the UNESCO registered Sada Shin Noh. a form of Noh-influenced kagura that is believed to have influenced satokagura nationwide.
Saturday, January 22, 2011
Momiji gari
Went to a charity kagura event today and saw a dance I had never seen before, Momiji-gari.
The dance opens with three maidens dressed in gorgeous kimonos carrying sprigs of maple.
The dance is based on a Noh drama which itself was based on an older story set among the autumn leaves in what is now Nagano.
The group dancing was from northern Hiroshima, and one feature of Hiroshima kagura is that "human" dancers do not wear masks, rather make-up.
The dance was graceful and at times frenetic, and the blur of golds, yellows, and reds against the backdrop of autumn leaves was quite spectacular.
Next up we are introduced to Taira Koremochi, the great Heike warrior, who along with an aide has come to Nagano to destroy a demon that has been harassing the local people.
The heroes accept the invitation of the maidens to join their party and are repeatedly given sake until they fall into a drunken stupor.
Now the maidens reveal their true identity as the demons the heroes have come to slay and begin a dance in celebration of the inevitable doom of the heroes.
The transformation from maiden to demon is truly instantaneous.... one second the women are spinning around and in the next they have on the demon masks....... I certainly did not see it happen, and the audience erupts with applause at the slickness of the transformation....
As you can see in the photo, the masks are not held to the head by strings but are gripped between the teeth
to be continued
Monday, November 2, 2009
Miko-mai, or Miko Kagura
Monday, February 9, 2009
Omoto Kagura
It is believed that the root of Japanese religion, AND the root of Japanese performing arts lie in shamanic trance. Shamanic kagura was once commonplace throughout Japan, but was suppressed by the Meiji government. Only one place in Japan still has traditional shamanic kagura and that happens to be the place I live. I will be posting a lot more on this subject as it is the focus of a lot of my research and there is almost nothing on it in English.
The focus of Omoto kagura is Omoto, or Omotojin, the local land-based kami. Up in Izumo it is called Kojin, and like Omoto is represented as a rope snake. There are about 60 sites in my area that are considered Omoto shrines, though only a few have shrine buildings. Omoto kagura is practised at a handful of shrines, each shrine working to a 5, 6, or 7 year cycle, so some years there is no Omoto kagura , some years several performances.
Omoto kagura is performed by priests, and in fact all the priests of the county take part. As in the old days, the villagers perform theatrical kagura during the intervals between the priests various dances.
The supreme importance of Omoto kagura to the area is indicated by the number of offerings on the altar. I counted more than 40 different things on the altar at this performance in Ichiyama, compared with less than a dozen at a normal ceremony.
The dance in the video is called Tsunanuki (rope-pulling) and is probably the most well known of the various dances. If an Omoto kagura is successful then someone will be possessed by Omotojin and will answer questions by the priests usually on such matters as the coming years agricultural cycle, upcoming dangers etc. The grandfather of a friend of mine became possessed by Omotojin on 5 different occasions in the last half of the 20th Century.
Friday, January 23, 2009
Iwaishima kagura
This short video is of a kagura performance on the small island of Iwaishima, or as some people say, Iwaijima, off the southern coast of Yamaguchi.
If you compare it to some of the other videos of Iwami Kagura, you will see some differences.
The music is different, and the costumes are much simpler.
This is the first dance of 33 that were performed over a 3 day period as part of Kannmai Matsuri held every 5 years.
The opening dance features Kojin, the local kami of the island, though the mask look a lot like a Tengu, or even Sarutahiko.
Kojin is equivalent to the kami Omoto in my area, and is known as an Aragami, "rough kami", though I prefer turbulent kami. In this dance the priest pacifies Kojin.
The kagura dances are performed in a temporary structure with grass roof and walls erected near the harbor
The priests come from northern Kyushu, which has its own kagura traditions, so I don't know whether these performances are from that tradition or the southern Yamaguchi kagura tradition.
The masks are wooden, and so are simpler than Iwami Kagura masks.
Saturday, December 20, 2008
Hiroshima Kagura
A couple of months ago we were driving along a backroad in SE Hiroshima on our way to Shikoku when we saw a small shrine at the side of the road with all the banners flying and the parking area full of cars, matsuri!!
We pulled in and were delighted to find kagura being performed.
The kagura in this area is related to Iwami kagura, but one noticeable difference is that the "heroes" don't wear masks but rather use makeup.
It was a very small shrine, but it had a kagura-den, which was in fact the largest building at the shrine. The audience was small, and mostly elderly people. The kagura group was from somewhere else in the region.
The steps down from the shrine to the kagura den were lined with shimenawa, creating a sacred space for the kami to descend to the performance. I asked the locals who were manning the stalls what the name of the kami was, but they didn't know so they suggested I ask the priest. He had been enjoying the O-miki (offering sake shared by the congregation and kami) and he admitted he had forgotten!
As is usual in the back country of Japan, the villagers were very friendly and we were treated as honored guests. They gave us a bunch of yakitori and a pack of the areas speciality, candied peanuts.
Visiting village matsuris is one of my favorite activities. There is no comparison to the crowded, tourist-filled events that are the famous city matsuris.