Saturday, September 19, 2009

From the forest

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Kuri, Japanese Chestnuts, are starting to fall from the trees now. It's an indigenous tree of the Japanese islands, and the nuts have been consumed for thousands of years. Along with bamboo shoots and mushrooms, it is one of the most avidly harvested wild foods and people rarely divulge the location of their favorites trees. Kurigohan, rice cooked with chestnuts, is a common dish at this time of the year, and kuri are used extensively in sweets and confectionery.

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These not particularly appetizing-looking fruits are Akebi, with the curious name of Chocolate Vine in English. Not collected much anymore as they are not very sweet and mostly seeds, but were popular in earlier times when the Japanese had less sugar in their diet. The bears and monkeys continue to love them.

Tuesday, September 15, 2009

Almost the 7 Lucky Gods of Japan

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I found this eclectic tableau at the entrance to Suisei-en on the yamanobenomichi.

The figure on the far left is Hotei, one of Japan's 7 Lucky Gods (Shichi Fukujin), and is associated with abundance and good health. He came from China where he is named Budai, and is also known as the laughing Buddha, which is the name I associate him with as I had a small statue of him when I was young.

The gentleman in the middle back is Fukurokuju, another member of the Shichi Fukujin, and he is associated with wisdom and longevity and probably derives from a Chinese star God, Shou.

To the right stand 2 tanuki, who are not gods or kami, but have existed in Japanese folklore since ancient times as shape-shifters. They are also associated with good fortune.

In the center are Daikoku and Ebisu, both members of the Shichi Fukujin and often equated with Okuninushi and Kotoshironushi. Daikoku is the god of wesalth, commerce , and trade, and is derived from the Hindu God Shiva. Ebisu is the god of fishing and merchants, and is usually believed to be the only one of the Shichi Fukujin not from India or China.

The 2 snakes in the front I'm not sure about. Snakes have many connotations in Japan, especially water, so they may be representations of Benzaiten, one of the Shichifukujin associated with music, art, and eloquence. Based on a Hindu River God, Saraswati.

Sunday, September 13, 2009

Garden views.

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I was struck by the late afternoon sun shining through the leaves of the satoimo plants.

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Called taro in English, they still have a month or more before we dig up them up.

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The unused land around my riverside garden was taken over this year by a neighbor who planted sesame as a cash crop.

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Called goma in Japanese, he is hoping to make a good income from it.

Friday, September 11, 2009

Kobe Port Tower

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Opened in 1963, the Kobe Port Tower soon became a symbol of the city of Kobe.

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Designed by the Nikken Sekkei Company, the design is based on a Japanes drum, the Tsuzumi, and was the first tower built using a pipe lattice.

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The tower is 108 metres high, and the observation platform is at 90 metres.

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The tower is open every day of the year and entrance is 600 yen.

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Tuesday, September 8, 2009

Hikawa Town

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Hikawa Town lies along the Hi River (Hikawa) in Izumo.

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The red iron sand of the Hi was one of the earliest sources of domestic iron production in Japan, and the site of the Yamata no Orochi legend, both associated strongly with Susano.

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The design of the manhole cover is of Dotaku, bronze bells from the late Yayoi Period (2nd and 3rd centuries) and reflect the large number of archeological sites associated with this ancient part of Japan.

Not much is known for sure about dotaku, though they were probably ritual objects used in early agricultural rites, and that they were introduced, like so much in early Japan, from Korea.

They have been excavated all over Japan, usually singly, but not far from Hikawa at Kamo Iwakura, a cache of 39 were discovered.

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I took the photo ofthe manhole cover at the entrance to Kojindani, an archeological site even greater than Kamo Iwakura. Bronze ritual swords were also used in similar ways to dotaku, and all over Japan more than 300 of these swords had been excavated in total. At Kojindani in 1984, 358 swords were uncovered in one spot!!!

The importance of Izumo as an early political and cultural center of ancient Japan was underscored.

There is a small museum at Kojindani, but the 385 swords themselves are on display at the nearby Shimane Museum of Ancient Izumo.

Monday, September 7, 2009

More Yosakoi

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Posting the pictures of the Yosakoi last weekend prompted me to dig out some old photos from the Kawamoto matsuri 4 or 5 years ago.

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I watched a program on TV last night from this years big Yosakoi Matsuri in Kochi City. Most of those groups were large and danced in formation as they paraded down the streets.

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These groups at the kawamoto matsuri tended to be small, much younger, and danced in a style much closer to pop or rock.

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One thing common to all Yosakoi dancing though is that you have to have fun. Or at least appear to have fun.

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Saturday, September 5, 2009

Ways to play the Taiko

There are many different ways to play the Taiko, the Japanese big drum.

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You can play it while seated.

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Sometimes you might need to stand.

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Some choose to sit on it.

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You can play in a line with friends.

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You can even play it with your child asleep upon your lap.

All the photos are from the Kawamoto Matsuri 5 years ago.

Friday, September 4, 2009

Surprise Yosakoi



While I was at the kids kagura last saturday, a little bird whispered in my ear that there was going to be a secret, surprise yosakoi performance next morning in front of the local train station. I really like yosakoi dancing, so sunday morning we turned up in front of the deserted station.

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Yosakoi dancing was invented in Kochi City back in 1954 and is pretty much traditional movements combined with modern music. Really the only rule is that naruko, japanese castanets, must be used. Yosakoi has spread all over Japan now, and has led to a wide range of styles. costumes etc.

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The group performing here, Team Mugen from Okayama City, chose to use kagura flute and kagura melody in their dance, so they turned to 87 year old Ebiya-san, a friend of ours who lives in Kawado. He is the inventor and maker of the "Hero flute" that is now the standard flute in kagura performances here in the west of Japan.

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The group had rented a bus and driven up more than 100 miles from Okayama to stage a surprise performance for Ebiya-san, who lives right next to the station.

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I hadn't seen a group use lanterns before.

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Though quite a few groups have a flag bearer.

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You can seee a slideshow of all 47 photos here.

Thursday, September 3, 2009

Hibara Shrine

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Hibara Shrine lies on the Yamanobenomichi at the base of Miwa-san. It is an affiliate shrine of Omiwa Shrine, and like it, enshrines the kami of the mountain, now reckoned to be Okuninushi.

There are no buildings at Hibara Shrine. Buildings at shrines only began after the introduction of Buddhist temples.

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Amaterasu was worshipped here but it seems that after Okuninushi was installed from Izumo there were problems between the two of them, so Amaterasu was moved to Ise.

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This small shrine was added in 1987. Called Toyosuki-iri-hime no miya. Toyosuki iri hime was an imperial princess who was the "priestess" in charge of the mirror that was the shintai ( god body) of Amaterasu.

Wednesday, September 2, 2009

Typical Japanese Landscape 24

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With a total length of 29,761 Kms, the coastline of Japan is where a large proportion of the population lived historically. The idea, underpinning much Nihonjinron, that the Japanese were primarily rice-growers is, I think, an exaggeration and a fairly modern invention.

This small port is in Asahi Town, in the SW corner of Kochi Prefecture on Shikoku.