Monjusenji Temple 4 Kyushu Fudo Myoo Pilgrimage

 

Monjusenji is temple number 4 on the Kyushu Fudo Myoo Pilgrimage.

Located high in the remote mountains of the Kunisaki Peninsula, it lies to the NE of the highest point, Mount Futago.

It is part of the ancient Shugendo cultic system known as Rokugo Manzan, a mix of Usa Hachiman and Tendai Buddhism. Monjusenji is number 25 on the ancient Kunisaki Shugendo Pilgrimage.

However, whereas most of the temples associated with Rokugo Manzan claim their origin in the early 8th century with a monk named Ninmon, Monjusenji is older and claims to have been founded in the mid 7th century by the legendary En no Gyoja.

This makes it the oldest of what are now known as the Rokugo Manzan temples.

Halfway up the steps is the first group of buildings, and here can be found the Fudo statue that is part of the Kyushu Fudo Pilgrimage.

There are several other statues and altars in this small group of buildings and in fron is a very tall, stone stupa, aboiut 8 meters high and possibly the tallest in all Japan.

Further up the steps is the main hall, the Monju-do, enshrining Monju Bosatsu. Monjusenji is considered one of the top 3 Monju temples in Japan.

Known as the Bodhisattva of Wisdom, Monju is often prayed to for academic success.

Monju is often depicted riding a shishi or lion.

A sacred spring flows from the cave behind the main hall and the area around thetemple is filled with huge, ancient trees and towering rock formations.

6 Jizo statues.

A group of ema votive plaques, many asking for academic success. The second photo below an ema of Monju Bosatsu.

In a cave two statues of En no Gyoja, the legendary founder of the temple, is srrounded by numerous Fudo Myo statues.

Below is a statue of Gensan Daishi, a name of Ryogen the great Tendai priest of the 10th century. Also referred to as Tsuno Daishi and Oni Daishi, his likeness is commonly found on ofuda from temples to protect against misfortune.

Below is a statue of Monju Bosatsu, but this is not the honzon. The honzon is a "secret Buddha" and only opened every 12 years, in the Year of the Rabbit.

Below are examples of the unique style of masks found in the Kunisaki area.

Below is a goma ceremony being performed. Usually done on the 25th of each month, I was visiting on January 3rd, so I suspect special goma are performed for the new year.

Below a few of the rakan statues in the rock face near the main hall.

The previous post was on the Fudo cliff temple a little to the north, Itsutsuji Fudo.

500 Rakan at Raizan Sennyoji Daihioin Temple

 

Rakan is the Japanese word for arhat, a sanskrit word that roughly means an enlightened person.

The exact meaning has changed over time and within different Buddhist traditions, but in general, they are perceived as disciples of the historical Buddha.

Statues of rakan have been popular since ancient times in Japan with some statues of them at many temples. Though 500 is the number often bandied about, there are not so many examples of all 500 being on display.

Not sure how many are here at Sennyoji Temple in SE Fukuoka, but certainly more than 100.

One of the features of rakan is that each one is an individual with different faces and expressions.

This has led to the oft-repeated assertion that if you look closely at the group you will find some that look like people you know.

These rakan at Sennyoji can be seen from the corridor that leads up the hillside to the Kannon Hall and Founders Hall.

Other posts of mine that feature rakan are the one on Rakanji Temple in Iwami Ginzan,  and a series from Jizoji on Shikoku that features quite large, wooden rakan.

A very unusual collection of rakan can be found at Isshiteiji Temple in Matsuyama, Ehime.

The previous post was on the lower part of the temple, and prior to that on the two gardens here. The next post is on the Kannon and Founders Hall.

Fukuishi Kannon Seiganji Temple

 

Fukuishi Kannon is the popular name for Seiganji Temple in Sasebo, Nagasaki.

It's origin lies with a visit by Gyoki to the area in 710. While here he carved 3 statues from a sacred tree, one of which, a two metre tall 11-faced Kannon, he enshrined here.

It is classed as one of the Seven Famous Kannon statues in Kyushu.

When Kobo Daishi visited the area about a century later he established Seiganji Temple.

It is also said he placed 500 rakan statues in the cave behind the temple.

Rather than a cave, it is actually a wide, curved overhang in the cliff.

Over the centuries many of the statues disappeared but there still remains a collection of assorted statues, many not rakan, in the cave.

The current main hall was built by the local lord, Matsuura Seizan, in 1785,

He became Daimyo of the Hirado Domain when only 16 and later became a renowned swordsman.

It is a Shingon temple and the honzon is the Gyoki Kannon.

Held in August, the Sennichi Festival is one of the major festivals of Sasebo.

It is claimed that coming here and praying here for just one day during the festival is the equivalent to praying for 46,000 days, hence the name of the festival Shiman Rokusen Nichi, which means 46,000 days.

I visited on day 66 of my walk along the Kyushu Shingon pilgrimage, although the temple itself is not part of the pilgrimage. The previous post in the series was Jozenji Temple.

Ishiteji Temple Part 3

 

In this third part to my post on Ishiteji Temple in Matsuyama, I show scenes from inside the Okunoin and then the second tunnel leading back to the main temple.

In PART 1 I looked at the entrance to the temple and some of the main buildings and also gave plenty of historical details.

In PART 2 I looked at the tunnel leading through the hillside and the approach to this Okunoin.

The inside of the unusual, spherical, okunoin is filled with many of the same kind of "folk" statues that were encountered in the tunnel.

The majority seem to represent the rakan, the 500 disciples of the Buddha that are often found as a group of statues at some temples.

There were other statues though, representing other bodhisattvas, buddhas, deities, etc

There seems to be quite an atmosphere of strangeness that some visitors seem to have found disturbing

I found it quite wonderful, like a huge, free, sculpture museum....

Leaving the Okunoin, I took a different tunnel back to the main temple

This had the same kinds of statues as the first tunnel, including many "standard" ones

As well as another chapel-altar covered in bibs

There were also paintings on some walls 

Before emerging once again into the sunlight in the main temple compound....

Ishiteji Temple Part 2                Ishiteji Temple Part 4