Geibunkan Annex 2 by Kengo Kuma

 

At the Kyushu Geibunkan in the Chikugo area the second annex was also designed by Kengo Kuma.

It gets much more attention than the first annex, but I prefer the first. The second annex is a small pavilion with a large arbor.

Much is made of its modular nature, with all the parts of the arbor roof structure being the same .

I akso include a couple of more shots of the main building, just because I like the irregularity of it.

Finally here is a shot of the Chikugo Funagoya Shinkansen Station which is right next to the Geibunkan, both of which pretty much stand alone amoing the rice paddies.

Cape Oyama Kannon

Kannon

After descending from Konomine Shrine and Konomineji temple 27 on the Shikoku Pilgrimage, the route heads north up the coast of Lochi and you soon reach Cape Oyama. Not sure of the proper definition of a cape, but to my mind Cape Oyama does not extend out into the sea enough, though it is a pretty section of coast with rocky outcroppings and cliffs.

There is a small cave in one section and it has a small chapel/shrine with a Kannon statue. Or rather it had. It seems that it no longer exists, though it may be reinstated.

It seems that during earthquakes rocks used to fall from the roof of the cave quite easily and so it was always considered somewhat dangerous. There was an elevated cafe in front of the cave and some huge pillars erected to hold up the cave roof.

There was also a statue of Kobo Daishi in the cave which suggests some kind of link with him.

Recent photos show the small chapel destroyed and the cafe closed. Maybe it was storm damage or collapsing rocks, or a combination of both. Maybe it will be restored, or maybe not/

Increasingly I find that the some of subjects of my photographs and blogposts have ceased to exist. Maybe I should have a seperate blog called Glimpse of Disappeared Japan"

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Kyushu Geibunkan Annex one

 

The Kyushu Geibunkan  in southern Fukuoka is a large, modern, ""Culture Hall" designed by Kengo Kuma. Nearby in the park space surrounding the main building are two annexes, also designed by him.

Annex i is a long, narrow building of small studios, all of which seem to have exterior walls of glass. The building has a flat, overhanging roof.

The roofs shape is indented with sweeping curves that touch each other at a sharp point.

The best way to describe it for me is to imagine an elongated, exaggerated holly leaf.

I am quite fond of curves in architectural space, especially for the kind of photo compositions I lean toward.

A room with a view at Nameshi Dam

Nameshi Dam

Early evening on the 2nd may, 2017, and I arrived at the place I would spend the night. A wide roof with a wooden bench overlooking the small reservoir behind Nameshi Dam on the Togo River near the centre of the Kunisaki Peninsula.

I havent used a tent in more than 30 years, preferring to sleep under the stars when possible, and in a bivvy sack if its wet. Here I had toilets nearby and drinks vending machines. There is a small shop but it has never been open whenever I was here. There is a replica waterwheel, many cheery trees that have passed theor blossom by date, and a small house used as a vacation rental I believe.

I had slept out here about four and a half years previously in November 2012. Then I was at the end of my first day of a 5 day walk across and around the Kunisaki Peninsula and I had started the day at the famous Usa Hachiman Shrine, and I was exploring sites along the anciet Hachiman-Tendai Shugendo pilgrimage route. Photos of the sunset that day are here

On the next day of that trip, I carried on east up along the river and then over the centre of the peninsula and on to the coast. On this trip, I will be heading over the dam and into the mountains and be following, to a large extent, the Kunisakihanto Minemichi Long Trail which closely follows the old pilgrimage route. I'm actually on the first day of my walk along the Kyushu Fudo Myo Pilgrimage, but as the first clister of temples are all here on the Kunisaki Peninsua I decided to visit them by useing the Minemichi trail.

It has been an excellent day and as the next days route is largely along mountain trails rather than roads I am excited. Here are links to the sights of my first day.

Taizoji                 Demons Stairway                 Not the Village of Dolls                 Treasures of Makiodo

            More Kunisaki Cliff Carvings                                             Tachibu Motomiya Hachimansha 

Fuki-Ji Temple                             Yama Shrine                                 Umi Shrine

Kyushu Geibunkan by Kengo Kuma

 

I had passed by this building several times on the train and was determined to visit it to explore when my walk took me through this section of the country.

Called the Kyushu Geibunkan, it is a kind of "culture center" and it is located slap bang in the middle of a rural area with only small towns and villages in the area . It is also located adjacent to a Shinkansen station that also seems anomalous,  and just a few hundred meters from Komyoji Temple that I had just visited as part of the Kyushu Pilgrimage.

In some climates, Japan in particular, the main focus of buildings is the roof. So it is here at the Geibunkan, though it actually has dozens of roofs, and not a single one is rectangular. Lots of triangles and trapezoids all joined together higgeldy-piggeldy, with some of the roofs almost touching the ground.

Though the front of the building seems somewhat simple and monolithic, the exterior is far more fragmented and disjoined which I suspect makes for some interesting interior spaces. I must admit I regret not having gone inside or explored the rear more.

As well as the wide range of intersecting and connecting shapes the building also uses a variety of different materials and textures which adds to the interest.

The building was designed by Kengo Kuma and opened in 2013. I have visited several of his buildings before but I believe this is the first time I have posted on this blog. My opinion of him worsened after his campaign against the winning design for the Olympic Stadium, which I liked, and having it replaced with his own design.

In the park around the building are a couple of annexes, asodesigned by Kengo Kuma which will get their own posts soon....

Itohara Residence

 

The Itohara were a family of high-ranking samurai who served the Matsue Domain. They moved into the Okuizumo area in the Chugoku Mountains in what is now Shimane in the early 17th century. They have occupied the site of their current home since the end of the 18th century.

The Itohara were one of a group of samurai families that controlled the production of iron in the region.

The current residence was built in the early 20th century but was built in a traditional style. The family still lives in the house so it is not open to the public, but the garden is and so the interior of the house can be glimpsed.

The home has 40 rooms and covers more than 16,000 square meters, so here you can literally see just glimpses.

The main formal garden is viewable from many rooms, and I posted pictures of it before.

Adjacent to the house is the Itohara Memorial Museum that has many displays about the historical production of iron, but also family heirlooms like weapons, armour, tea ceremony utensils, clothing etc.

The closest station is Yokota on the JR Kisuki Line, accessible using the Orochi Tourist Train.

Akiraokisan Komyo-ji Temple 59 on the Kyushu Pilgrimage

 

After visiting Miyama Tenmangu I continued on north and in a little while the fog burned off completely to reveal a brilliant blue sky. I crossed the Yabe River and came to the next temple on the pilgrimage, Komyoji, number 59.

Though the area was primarily flat and consisted mostly of rice paddies and fields, the small temple was completely enveloped within a modern housing estate. The gate was firly modern but the Nio inside were not.

They were behind glass which made them hard to photographu, but seemed to be well made. They date back to the Kamakura Period ( 1185 - 1333 ). The temple itself is said to have been founded in the early 8th century and is said tobe the oldest temple in the region.

The temples records claim it was founded by Gyoki, who also carved the horizon, a Senju Kannon. Gyoki was an historical figure and a few things are known about him, but, like Kobo Daishi, is said to have founded hundreds of temples and carved hundreds of statues in almost every corner of the country.

There is a miniature Shikoku Pilgrimage within one courtyard with the 88 statues and "sand" from each temple.

There is a shrine within the grounds, and 2 stone, 9-layer pagodas, one of which was given by Taira no Shigemori, eldest son of Taira Kiyomori, in 1175.

Meiseki-ji Temple 43 Shikoku Pilgrimage

 

Located on a hillside in Seiyo, southern Ehime Prefecture, Meiseki-ji is a pleasant enough temple complex, but strangely unmemorable.

While many of the pilgrimage temples claim Kobo Daishi as their founder in the 9th century, quite a few are attributed to Gyoki a century or more earlier. but Meiseki claims to have been founded in the 6th century.

Since then it has gone through numerous destructions and rebuilding. The current buildings mostly date from late Meiji P

eriod.

There is a nice pair of large sugi trees linked with a shimenawa named as "Married Sugi", but otherwise very little in the way of statuary.

The temple belongs to the Tendai sect and the honzon is a senju Kannon.

Miyama Tenmangu

 

Miyama is a small rural settlement in the southern part of Fukuoka Prefecture that used to be called Chikugo. I passed through while walking north on the 50th day of my walk along the Kyushu Pilgrimage.

The local shrine, a Tenmangu, was shrouded in mist. The small Zuijinmon, guardian gate, housed a pair of brightly colored wooden komainu.

As well as a pair of Zuijin, the shinto guardians that Lafcadio Hearn suggested were a Shinto response to  Nio guardians.

Set among a grove of old trees, there are also a pair of stone Komainu. I can find no dates for the shrine, but was probably just a local ujigami shrine until Tenjin was later "installed". I know in my own area of Tenjin, and other national kami,  being installed in local shrines in the early twentieth century to save them from being closed.

Unusually the taiko drum was hung outside the building. Most small shrines will have a single taiko, often in very poor condition, still inside the main building.

I've saved what I think is the best photo for last. Within the shrine grounds there was a Buddhist statue still remaining.