Togitsu Yutoku Inari Shrine

 

Not far from the Honjin I discovered in Togitsu I encountered a small Inari Shrine.

Apparently, it is a branch of the famous Yutoku Inari Shrine not far away in southern Saga and not a branch of the head Inari shrine Fushimi Inari near Tokyo.

As with almost all Inari shrines, there were fox guardian statues. Though Inari is often mistakenly referred to as a "fox god", the foxes are messengers of Inari, not representations of Inari

There were multiple vermillion torii, though no actual "tunnel" as at many Inari shrines.

Surprisingly all the ema depicted horses, as this was spring 2014, a "Horse Year".

There were multiple Inari shrines in the grounds. Inari is well known for being a "peronalized" kami that exists in thousands of thousands of different forms.

The Chinses style guardian lion was unusual, though not too surprising as this was Nagasaki.

Thet two main representations of Inari are either as an old man carrying rice, or, as seen here, as a young maiden on the back of a white fox.

This representation has connections with the primarily Buddhist identity of Inari as Dakiniten.

Inari is sometimes connected to Benzaiten, another goddess with heavy Buddhist-shinto cross-over, and that may be behind the small figurine of the white snakes wrapped around the jewel of wisdom.

The previous post in this series on day 64 of my walk around Kyushu was on Togitsu.

Yasaka Shrine Ebie

 

Ebie is a neighborhood on the bank of the Yodo River in Osaka, west of Umeda. Route 2 crosses the river here and this was the route I was walking west.

The local shrine is a branch of the famous Yasaka Shrine. I visited in 2017 and so a large ema of a Rooster was on display.

There seem to be quite a few Yasaka shrines in this part of Osaka, though I have no idea why. There is no info on the shrine's history, though it is believed to be quite old.

There are several sub-shrines in the grounds including the Ebisu Shrine pictured above, and an Inari Shrine.

The previous post was on some of the interesting architecture I passed by walking through Umeda.

Hanta-ji Temple 50 Shikoku Pilgrimage

 

Just 1.6 kilometers from temple 49, Jodoji, temple 50, Hanta-ji is located on the hillside to the east of southern Matsuyama City.

Said to have been founded around 750 by Gyoki who is also said to have carved the honzon, a small Yakushi Nyorai.

Later Kobo Daishi visited and changed the name to Hantaji.

In the late 13th century Ippen Shonin studied here and later went on to found the Jishu sect.

The ceiling of the bell tower is decorated with paintings depicting Chinese scenes which I believe represent the 24 Paragons of Filial Piety.

The temple is probably most well known for its statue of Kangiten housed in the Shotendo which is fronted by a torii.

The crossed daikon is one symbol connected to Kangiten. It is said to represent marital harmony, one of the many wishes that Kangiten is known for.

Kangiten, like so many of the deities in Japan, has a long and complex history and identities but is closely connected to the Hindu deity Ganesh.

The statue of Kangiten was donated by Ietsuna, the 4th Tokugawa Shogun.

From the late 14th century the temple prospered due to a connection with the imperial temple of Sennyuji in Kyoto and grew to include over 100 branch temples.

The previous temple on the Shikoku Ohenro Pilgrimage was Jodoji, number 49.

Kishu Toshogu Shrine

 

Kishu Toshogu is a very colorful shrine in Wakayama City. Kishu was the feudal domain of the Edo Period that was roughly what is now northern Wakayama Prefecture and part of Mie Prefecture.

Toshogu is the name given to shrines enshrining the deified first Tokugawa Shogun, Tokugawa Ieyasu. The main and first Toshogu is in Nikko.

It is located in the Wakanoura area in the south of Wakayama City. Wakanoura means Bay of Poetry and is a revered location that has had many poems written about it since ancient times.

By the end of the Edo Period there were about 500 branches of Toshogu established all over Japan, but that number has been seriously reduced since then.

From the parking lot and shrine offices, a stone stairway called Samuraizaka leads up to the shrine. It is composed of 108 steps, an important number in Buddhism.

The Romon, main gate, is very colorful and ornate, like many of the other structures, and also registered as an Important Cultural Property.

The original Toshigu in Nikko is famous for being extremely colorful and ornate, and many branch Toshogu's have tried to emulate that. Here at Kishu artworks were executed by Hidari Jingoro and Kano Tan'yu, among others.

The main gate contains a pair of fine Zuijin, Shinto Shrine Guardians.

Kishu Toshogu was built in 1619 by Tokugawa Yorinobu, the tenth son of Ieyasu, who became the first daimyo of Kishu Domain. He was also enshrined here after his death.

As far as I can tell this makes Kishu Toshogu the very first branch of Nikko Toshogu.

Ieyasu was deified as Toshogu Gongen, said to be a manifestation of a Buddha, using a variation of Sanno Shinto, a sect based on the Tendai complex at Mount Hiei.

Before the official separation of the kamis and Buddhas in 1868 there was a pagoda and a Yakushi-do here.

The previous post in this series exploring Wakayama was the Museum of Modern Art.

Yutoku Inari Shrine Part 1 Down Below

 

Yutoku Inari Shrine near Kashima in Saga is considered one of the three great Inari shrines of Japan.

Though not so easy to access it still gets more than three million visitors a year.

The approach road to the shrine is flanked by a pair of giant lanterns and then a large torii straddles the street of souvenir shops that line the entrance.

The shrine was founded in 1687 by the wife of the Nabeshima Lord who ruled the area, and was operated as their family shrine.

The Romon, main gate, is particularly colorful and decorative and so the shrine has earned the nickname of " The Nikko of Kyushu".

The main hall of the shrine is built upon an 18 meter high platform exending from the hillside, similar to the famous Kiyimziudera temple in Kyoto.

Iwasaki Shrine at the base of the platform is dedicated to those seeking love.

Steps lead up to the main hall, though on a more recent visit I noticed a new elevator in a glass structure.

There is a formal Japanese garden outside the main entrance, and across the valley is the park-like outer garden with many observation points to view the shrine complex. When the azaleas are in bloom in the spring it is very colorful.

The shrine also has a museum containing armour and other historical artifacts from the Nabeshima.

I have visited twice and on both occasions there were few visitors. When the azaleas bloom and when the shrine holds festivals I suspect it gets busier.

In part two I show details of the main hall and the "tunnels" of torii that lead up to the okunoin.

I took a small detour to visit Yutoku Inari while walking day 59 of the Kyushu Pilgrimage.

Part 2 Yutoku Inari Up Above. 14 more photos....