The Month of Little Sleep part 4

Around 2:30am the kagura group took a break, something I have never seen before. I suspect that as the village has shrunk, so has the kagura group, and fewer members means each must do more and therefore not get any breaks during the long night. The audience took the opportunity to pull out some food and spread out... All night long Mr Yama operating the barbecue grill outside had been passing free food into us.... fried noodles, barbecued squid, barbecued crab legs..... along with copious amounts of cold beer and sake, so we were full but could not refuse the offers from different groups in the audience who insisted we join them and share their food....this, for me, is the essence of matsuri....

After the break the action started up  with the Oeyama dance with lots of demons including the favorite of the audience, a junior demon...

The spiders web trapped the hero but he was of course able to free himself and kill the demon...

next up was Iwato, usually one of the first dances at a matsuri....

And then Ebisu, ably assisted by junior Ebisu, distributing lucky candy to everyone in the audience...

The penultimate dance was Shoki.......

Outside the sky was lightening and more people had been arriving...... in the countryside people get up at 5... and so it was time for the finale, Susano's battle with the multiheaded Orochi.... It was a small kagura group, so there were only four heads to the serpent, but even so they took all the dance space and spilled out into the audience. An exciting end to a great night..... time to go home to bed and rest up..... in 3 days it would be an Omoto Matsuri up in Nakano....

Kawamoto Kagura Competition 2012

Last weekend I went upriver to the Kawamoto Kagura Competition. While I believe that kagura is best appreciated in a shrine, kagura competitions do offer another type of experience.... comfortable seats, good lighting, and a big stage which is more suited for the Hiroshima style of kagura.. Even though it was a secular event, the first dance is always the purification of the space, performed here by a group from Mitani.

Next up was the local Kawamoto group and they performed Akoden, a variation on the wicked fox transformed into a beautiful maiden. Though Kawamoto is in Iwami their group performs Horoshima style, with lots of mask changes etc. This was a rousing dance for the home audience with plenty of stand-up comedy, pantomime, and slapstick....

The Otsuka group from Kitahiroshima then did Rashomon, a dance I dont think Ive seen before that is actually the prequel to the more common Oeyama dance. Fast, furious, but ending with the demons escaping and so setting the scene for Oeyama...

Next up was the simpler 2 man version of Hachiman performed by the Mihara group. Mihara is a little up in the mountains near my village and Yoko works there. She is friends with Mr. Yamaguchi the group leader who dances the Hachiman part. At 70 years of age Mr Yamaguchi is certainly one of the oldest kagura dancers around..... though still spry and athletic.

My own village of Tanijyugo was up next with Jinrin,.... 2 heroes and 2 demons...

There were six more dances after the lunchbreak but I only stayed for one more, Momijigari, another Hiroshima favorite with many mask changes and 4 maidens who transform into demons.....

Kagura competitions have grown in poularity in the past 50 years and do offer the opportunity to see a lot of kagura in an all-day setting rather than the more intimate shrine setting of all-night kagura..... Most towns in Iwami and north Hiroshima now have annual kagura competions. The smaller towns without auditoriums will put them on in school gymnasiums....

Kanzui Matsuri part 8

This is the second half of a post on the Oeyama dance as performed at last years matsuri up in Kanzui, The first half can be found here.

The group of heroes dressed as yamabushi find their way to the demons lair and after convincing the demons that they are real yamabushi are invited to spend the night,

There are 4 heroes, and the boss demon and three aides, so a total of 8 dancers packed into the tiny performance space. The king of the demons is distinguished by his oversized mask.

The heroes share the drugged sake with the demons and when they are drunk the fighting begins, each hero putting paid to one demon.

The final scene is when the king demon is confronted by the main hero. But the demon has a trick up his sleeve,..... a demon spider....

I had not seen the spiderweb and spider used in the Oeyama dance before...

The hero of course defeats the spider and the demon and so the world is once again safe.....

It was now 3:30 am and the kagura would be going on for another 3 hours but I left as I felt I neede to put in an appearance at my own villages matsuri which was also being held this night....

Kanzui Matsuri 7

The next dance at last years all-night matsuri in Kanzui was Oeyama, a big production with an unusually large cast for a kagura dance so I will split it into two posts. the story is based on a Noh play of the same name which itself was based on a story in the Heike Monogatari. In the first scene the hero, Minamoto Yorimitsu, and an aide leave Kyoto on a mission to destroy demons that have been kidnapping and eating young women.  On the way they meet a tengu/yamabushi who tells them that the demon will not harm yamabushi so they should discard their armor and wear the garb of mountain priests. the tengu also gives them some drugged sake that will disable demons but not affect humans.

The next scene introduces a villager who works in the mountains as a woodsman.

The next scene introduces a princess who is found in the mountains washing bloodstained clothes in a stream. She was captured by the demons but her flesh was too tough and bones too large to be eaten so the demons kept her as a laundry maid.

She promises to guide them, now dressed as yamabushi, to the demons lair on Mount Oeyama.

Kanzui Matsuri 6

So, it's about one-thirty in the morning and the sixth dance of the matsuri begins, Daikoku and Ebisu.

There is not really a story, rather the two characters, both members of the 7 Lucky Gods of Japan, engage in pantomime.

Daikoku was originally a Hindu warrior deity, but in Japan by the 15th century he had become the jolly, pudgy character associated with wealth and good fortune. Hitting the people on the head with his magic mallet will bring them good fortune.

When Ebisu dances he often goes through the comedic routine of catching a Sea Bream.

Daikoku and Ebisu are often seen as a father-son pair through the association with Okuninushi (written with the same kanji as daikoku) and Kotoshironushi, seen as Ebisu.

What the kids in the audience have been waiting for is for the lucky candy that Ebisu throws out.....

Kanzui Matsuri 5

Suzukayama is another hero versus demon piece based on a Noh drama.
The hero is Sakanoue Tamuramaro who was given the title of shogun (barbarian defeating generalissimo) for his success in defeating the Emishi in eastern and northern Japan. I believe he founded the famous Kiyomizu Temple in Kyoto.

There are many variations on the story, but this version seems to be based on the version of the story that has the demon being a "dog demon". Other versions have the demon being invisible.

The demon lives in a cave on Suzukayama which is near Ise. Apparently it was quite a dangerous place for travelers.

What is interesting to note is how halfway through the dance the upper part of the costume is undone and drops to act like a flared skirt during the spinning. Thois last photo shows some of the acrobatics involved in the fight sequences.

Kanzui Matsuri 4

Its just about midnight at the small shrine in the mountain settlement of Kanzui not far from my own village. The annual matsuri got underway about 3 hours ago and the fourth dance starts, Michigaeshi, a not very common dance. A few more people arrive and now the audience just outnumbers the dancers and musicians.

Michigaeshi is a fairly typical 2 person dance, the hero and the demon, although the ending is most unusual.

The hero is the kami Takemikazuchi, a complex deity with connections to thunder, military might, and protection from earthquakes in his home area of Kashima, Ibaraki Prefecture. He is also enshrined at the Fujiwara's home shrine of Kasuga in Nara where he is considered their tutelary deity. The Fujiwara ruled over the kashima area so either they adopted him from there or possibly brought him there. According to the Kojiki version of the Kuniyuzuri myth he was one of the kami sent to subdue Izumo, though Izumo records make no mention of him.

The demon is unnamed, though follows the classic pattern of being a flesh-eating demon harassing local villagers.

This third video clip shows the battle between the two. If you cant be bothered to watch all the videos, this is the one to watch.

The hero of course triumphs, but, in an unuusal twist does not kill the demon. Instead he offers him the possibility of redemption if he travels to Takachiho in Kyushu, site of the "descent" of the Yamato ancestors from heaven, and take part in the rice harvest there.

When I first came to Iwami and started watching kagura I remember several people telling me that this was their favorite dance precisely because the demon is spared and not killed.

Benkei mask

I have finally got round to finishing some new masks. This one is of Benkei, the archetypal sohei (warrior monk) and famed sidekick of Yoshitsune. The dance he appears in is Tsuzuki Dannoura, which is based on a story in the Heike Monogatari. Popular in kabuki, it is an uncommon dance in the Iwami kagura repertoire, and it has been quite a few years since I have seen it performed.

Benkei is always depicted wearing a cowl and this signifies his status as a sohei.

More posts on Benkei can be found here

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More of my masks can be found here.

Kanzui matsuri 3

The third dance at Kanzui's annual all-night matsuri was the first theatrical piece of the evening, Yumi Hachiman. The dance is very common and most matsuris will perform it. the first part of the dance sees Hachiman introduce himself and strut his stuff....

Hachiman, also read as Yahata, was originally a kami from northern Kyushu but grew in influence and became associated with the legendary Emperor Ojin. Eventually adopted as the tutelary deity of samurai he is known as the god of war. Hachiman shrines are now very common, and by one method of calulating are the most common shrines in Japan.

The second part of the dance sees the demon make his entrance, strut his stuff, and then hachiman and he begin their combat.

There are two versions of the demons identity, the first simply has him as a demon from a foreign country plaguing the local villagers in north Kyushu. The second has him as a demon from the lower levels of Buddhist hell. As much of the buddhist content was purged from Iwami Kagura in the late 19th century, It would suggest that tghis version is older.

Not surprisingly, the demon is defeated by Hachiman using a bow and arrows, weapons especially associated with Ojin.

The young junior-highschool boy dancing hachiman did a good job. In larger kagura groups hachiman has an aide.

Kanzui Matsuri 2

For various reasons I only managed to get to one matsuri this Autumn, so I thought I would post on each dance in a little more detail.

The second dance is kamimukae, the welcoming of the gods.

kagura, like other "entertainments" at shrines is put on primarily for the kami, but fortunately the kami enjoy the same kinds of things as we mortals. After the space has been suitably purified the kami are welcomed. This is a shinji, a ceremonial rather than theatrical dance and is usually danced by 4 dancers, though I haver seen it danced with a single dancer.

Here at kanzui it was danced by only three, and like some other shrines Ive been to it was presented by the youngest members of the troupe, and is usually one of the first dances learnt by beginners.

The kids were very nervous, its possible that this was the first time they had performed this dance publicly, and the leader was seated just offstage to offer prompts. 2 of the dancers were girls. In recent years girls have started to dance kagura, though as yet I have not seen any dance any of the theatrical pieces. Girls playing the instruments is far more common.

Tenjin on the beach

Starting this weekend and running for 2 weeks is a sand sculpture event on the beach in front of Aquas. The theme is Iwami kagura.

On Friday evening only 2 sculptures had been completed, the artists were hard at work on a third. It looks like there will be 8 in total.

To open the event, kagura was performed on friday and saturday night.

Friday night was the group from nearby Arifuku Onsen.

The first dance was Tenjin, based on the story of Sugawara Michizane who was banished to Kyushu and died there. Posthumously he was raised in rank and became the kami of scholarship. Students preparing for exams will visit a Tenmangu shrine.

The first part of the dance consists of Sugawara and an aide waffling on about how unfair it all is.

The second part is a sword battle with Fujiwara Tokihira, the man responsible for Sugawaras banishment. Tokihira is of course killed.

It was a very competent performance, very tight, which is not surprising as the Arifuku Onsen group play once a week....

Kagura Interlude

Got the chance to see a little Iwami kagura when we were at the Shunki Taisa down in Tsuwano a few weeks ago. A group from Masuda were performing, and as I had never seen any kagura from this area I stopped in while Jinrin was being performed. This is Takamaru the aide to Tarashinakatsuhiko, the name of the "emperor" known posthumously as Chuai. They are the good guys.

The bad guys are a horde of demonic invaders from a "foreign" country led by Jinrin. In this dance there were just 2 demons, this one is not Jinrin.

A furious and frenetic battle ensues.....

Until evil is defeated by the good guys....

The next dance was Kakko, and he wore a style of mask I hadnt seen before.....

OMMMMK 8

The eighth, and what turned out to be the last, matsuri for me in October was at Sano, a village up in the mountains behind Hamada. It was my first time at this matsuri and I accompanied a group of non-Japanese tourists, so the shrine, yet another Hachimangu, was quite crowded.

Because of the foreign guests could only stay a few hours the kagura group chose to play the opening shinji (ritual dances) later and started straight in with the theatrical dances. First up was Tenjin, the deified spirit of Sugawara Michizane a high-ranking courtier and poet who was banished to Kyushu by Fujiwara no Tokihira in 901. Sugawara died shortly thereafter and a series of disasters befell the Fujiwaras and the court and it was decided that Sugawara's vengeful spirit was responsible so he was deified and posthumously elevated in rank.

The dance is primarily a standard fast-paced battle between Sugawara and Tokihira.

The next dance up was everybody's favorite, Orochi, the piece that most typifies what Iwami kagura is all about, color, speed, drama, and excitement. This is usually the finale of a matsuri night of kagura performed at around 5am.

As is typical, only 4 serpents danced instead of the full complement of 8. Space in shrines is usually too small.

Halfway through the serpents gig an old gentlemen walked into the writhing mass and in turn lifted up the head of each dragon and gave the dancer a glass of sake....... no-one seemed to mind.

"I aint afraid of no dragon"

I had hoped to visit at least 12 matsuris this year, but unfortunately scheduling conflicts, the weather, and a trip to Kyushu meant only 8......... still, there is always nect year :)