Honishibashi Residence & Gardens

 

Momen Kaido, Cotton Road, is a small historic district of Hirata that was once a bustling merchant area trading in cotton.

One of the oldest remaining houses is the Honishibashi Residence, the oldest part of which was built in 1750

The earthern-floored entrance foyer has a nice example of the local folk art, Isshiki Kazari.

As well as serving as the home and business premises, the Daimyo would stay here sometimes and so the inner parlour was used as his official reception room.

The gardens were constructed in the early Meiji Period.

The Sou no Niwa, pictured above, is located to the east of the inner parlour. There is a small tea room that alsolook out onto it.

The main garden, the Gyo no Niwa, is located to the west of the inner parlour.

Not surprisingly, it is an Izumo-style garden. The large stone is said to have been a gift from local fishermen after the Ishibashi family paid for the construction of a tunnel that greatly aided the fishermen

I visited in June and so caught the last of the azalea blossoms...

The previous post in this series on the delights of Matsu and Izumo focused on the views from Matsue's tallest building.

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North Shore of Lake Shinji Part 2

 

Continuing on along the north shore of Lake Shinji, a sign that the lake is used for pleasure and not just commercial fishing.

Some topical Isshiki Kazari

The first prize winner at this years Isshiki Kazari competition in Hirata near Izumo was a tableau representing the Horanenya festival in Matsue. This boat festival is one of the top 3 boat festivals in all of Japan and is only held once every 12 years. It was held earlier this year.

The vast majority of Isshiki kazari artworks use ceramics as their raw material, and the three pieces I show today are no exception.

Coming up in a few weeks is the Rugby World Cup, being held for the first time ever in Japan. Actually, I'm quite looking forward to it though I am not particularly a big fan, but it will be a nice change from the usual boring sports that dominate the airwaves here.

It is still a year to go until the Tokyo Olympics but already I'm sick of hearing about it. Seems like not a day has gone by since before the Rio Olympics that we are not inundated with media about Tokyo Olympics. It was inevitable that the IsshikiKazari competition had one piece with the theme...

Izumo No Okuni: 2nd Prize 2019 Isshiki Kazari

Izumo no Okuni was the legendary creator of Kabuki. Originally from Izumo, no-one knows for sure when or where she died. A temple in Kyoto claims her tomb, but Izumo also claims she returned here and became a devout Buddhist and died here.

This rendition of her is done in Isshiki Kazari, a folk art that originates from Hirata near Izumo City. Every year a competition is held in the town and displays are put up all around the old part of town. Some are displayed in shop windows, but the winners are usually displayed in tableau form in other spaces.

In this years competition it won second prize.

Isshiki Kazari Komainu

Isshiki Kazari is a unique form of folk art that origjnated in Hirata up in Izumo. The essence of the art is that sculptures are made out of everyday objects. Nothing too original in that, but its the further rules that make it so. The objects cannot be broken, drilled, nor glued. Afterwards the sculpture can be disaseembled and the objects returned to use.

Ceramics are the prime material, but not the only material for Isshiki Kazari. The sculptures were/are made as offerings for the local shrine, but nowadays as part of the matsuri they hold a competition to choose the best each year.

I was taken by these komainu in a tableau of the shrine. The competition entries are temporarily on display around the old part of town, although there are many other more permanent examples that are not part of the competition