Kakinomoto Hitomaro is the greatest of the ancient poets and is worshipped as the kami of poetry.
He was a low-ranked bureaucrat from Yamato who was posted here as acting governor around the end of the 7th century. He maried a Tsunozu girl known now as Yosomi no Otome. Whereas Kakinomoto is considered the most prominent of the poets in the Manyoshu, Yosomi was the female poet with the most entries in that anthology.
There is actually very little known for sure about Kakinomoto. One historian I like suggests that being sent to Iwami was an exile for being on the wrong side of a succession dispute at court. He suggests that he was poisoned while here and as it was a political murder Kakinomoto was elevated after death to placate his angry ghost.
There used to be a huge, old pine tree here but it was cut down not too long ago for safety reasons. A cross section of the trunk is on display inside one of the shrne buildings. Masuda, down the coast aways, claims to be where Kakinomoto died. There are several of his poems that have been inferred to have been wriyyen about the Gotsu area, including one spot just downriver from my place. Kakinomoto and Yosomi are mascots for Gotsu.
From here it is just a short walk to the main shrine of Tsunozu, yet another Otoshi Shrine.
I have been here quite a few times for their annual matsuri parade. A video and photos of the Miko Mai dance is here. I met the priest soon after moving to Shimane, and am still using the desk he gave me.
In front of the shrine are a couple of small Buddhist altars with colourful statues. They are part of a miniature 88 "temple" pilgrimage around the town and hills.
According to the shrine records it was established in the late 9th century. It moved to its current location in 1711. It is one of the half dozen Otoshi shrines in the region that might be the one listed in the Engi Shiki.
An ancient ritual called Yatate that dates to the time of looking out for signs of Mongol invasion. Samurai would shoot an arrow at a target on a pine tree at the entrance to the shrine. The ritual was discontinued in the Meiji Period.
Sunsiduary shrines in the grounds are Kotohira Shrine, Omoto Shrine, and Itsukushima Shrine.
Like most shrines in the Gotsu area, but not inland in the mountains, there is a Kaguraden. All-night kagura takes place on October 31st and mikoshi parades and miko mai on November 1st. Kids get the day off school.
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The Iwami Kokubinji and Kokubunniji (nunnery) were located on the high ground just up the coast from Shimoko. Neither still exist, but the area is named Kokubu-cho.
The first shrine I visited was the Otoshi Shrine, which is, I think, the main shrine for Shimoko.
It is up a long flight of steps and on the way up offers views over Shimoko.
The main kami is Otoshi, a son of Susano connected with growing rice and also with immigrant clans from Korea. There are several more Otosshi shrines in the towns further up the coast...
Other than that I can find no history or info on secondary kami.....
A walk east toward the main Route 9 brings me to the guardian shrine of the Kokubunji, Kokubunji Kantake Shrine.
It was moved here when the Kokubunji was moved here. I had always presumed that Shimoko was the capital of Iwami all along, but apparently it was originally further up the coast in the Nima area. It was moved here in the early 9th century I think. I must find out why.
The most striking thing for me at the shrine was the pair of ceramic komainu. Unlike any I have seen before, they are quite cat-like.
The main kami of the shrine is Raijin, the Thunder God. I have always considered Raijin, and Fujin the Wind God, to be primarily Buddhist, as they are often depicted in paintings and sculptures at temples.
However, in Shinto mythology Raijin is equated with Ikazuchi, created out of the rotting corpse of Izanami. Ikazuchi is connected to the Kamo shrines that preceded the establishment of Kyoto.
Due to its importance and connection to the provincial capital, the shrine is listed in the Engi Shiki. Also enshrined is Omoto, the local land-goddess found everywhere in Iwami, and also Ebisu.
After passing the site of the former monastery, I head to Route 9, the old San-in Do that ran from Kyoto to Yamaguchi. The original Sanindo turns off from the new Route 9 and I follow it into Kushiro.
Kushiro Shrine enshrines Kushiroame no Koketsuhiko no mikoto, the son of Ama no Tarashihikokunioshihito no mikoto, the ancestor of the Kushiro Clan who settled the coast of Iwami.
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A few weeks ago I posted on a small altar to Omoto in a neighbouring village and asked if anyone would be interested in seeing the shamanic kagura that is associated with Omoto. On person said yes, so this is for them. I apologize for the quality of the photos and videos. They are from twenty years ago.
Omoto is carried to the village shrine, a Hachimangu at the far end of the village. Omoto Kagura was introduced in to the area by yamabushi and they took the same form of shamanic rituals all across the country. I have found remnants of yamabushi kagura throughout western Japan and Kyushu, and am reliably informed it was also widespread in the north of Japan. When the yamabushi and their shamanism was outlawed in the late Meiji period it disappeared everywhere, except in this remote part of Shimane.
Omto is then placed on an altar in the shrine. The shelves with white cloth are for the offerings that will later be ceremonially offered to Omoto by the villagers and priests. I have seen the offering for normal annual matsuris, and for the Omoto rituals there are 3 to 4 times as many offerings.
Many shrines in the area do not have a full-time shinto priest, but for Omoto all the priests of the county take part. Omoto Kagura takes place either every 4, 5, 6, or sometimes 7 years, depending on the village tradition. A similar shamanic kagura takes place in Hiba, high in the mountains of Hiroshima near the Shimane border, but only every 33 years.
An altar is set up in the corner of the ceremonial space, under the tengai, the canopy over the dance area. I believe this altar is in the NW corner but I could be mistaken.
Masked, theatrical kagura is performed as an interlude while the priests retire and rest. This was the origin of the theatrical kagura now commonly performed. It was in between the shamanic dances performed by priests, ne shugenja.
More rituals, many involving a very large Onusa, a kind of purification wand, and then Omoto is taken dowm from tha altar and the priests perform Tsunanuki wherein Omoto is taken on a figure 8 route around the sacred area.
The video below is from a different performance at a nearby shrine on another occasion.
More theatrical dances and then my favorite, the Tengai dance.
The tengai is the canopy above the dance area and the streamers are what the kami descend through to animate the dancers in nornal kagura. For Omoto there are a series of boxes with scrolls attached within the tengai and the priests operate ropes that allow the boxes to descend and ascend.
As the dance progresses the boxes begin to swing more violently and by the end of the dnce ripped pieces of the tengai litter the floor. This is by far my favorite of the various Omoto dances and I am not aware of anything even remotely similar anywhere else in Japan.
Not all the kagura dances by the villagers are masked and theatrical. Some dances, called shinji, are ritualistic in origin and include several purification dances etc. Another is the sword dance pictured below.
As the night progresses there are several more masked dances and several more ritual Omoto dances like Yudate and the Mat Dance, my second favorite dance.
The final dance, just before dawn, is the Jyoju, and this is when possession is most likely to occur. Some villages have the tradition a villager is chosen, always a male, sometime before the festival and will undergo numerous purifications and preparation. many villages however just leave it up to the kami to choose who to possess.
Omoto is once again taken down from the altar and then suspended diagonally across the area from the Omoto altar to the opposite corner. The priests then start to swing the rope back and forth picking up speed and then slowing down. As with the tengai it gets quite violent and pieces from the tengai fall around. On one occasion I saw the tengai itself semi-collapse.
The next day Omoto, as represented by the new rope snake, will be taken to the altar behind the community centre and wrapped around the base of the tree. All across Izumo and the Oki Islands you will also find such rope serpents wrapped around trees.
This is just a very brief introduction. I have witnessed Omoto kagura numerous times and have an extensive collection of much better photos that I will get round to posting eventually....
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